2004 Film About Artificial Intelligence

2004 Film About Artificial Intelligence
2004 Film About Artificial Intelligence Image link: https://en.wikipedia.org/wiki/Frankenstein%27s_monster
C O N T E N T S:


  • Therefore, taking some time to dive into philosophical and moral implications of AI, like in Leigh Whannell?s 2018 science fiction horror film Upgrade, and to truly think about what this constant impact between humanity and technology means, is the primary trait of any self-respecting developer ? thankfully most Artificial Intelligence movies are thought-provoking.(More…)


  • The catchall term given to the various robotic and A.I. creations (all part of one central machine intelligence) that serve as the antagonists in the Wachowski?s movie trilogy, the Machines were created after mankind achieved Artificial General Intelligence (AGI) in the first years of the twenty-first century.(More…)
  • Goldfarb spoke with Adweek about the myths around AI, what the technology means for the ad industry and the relevance of the 2004 film I, Robot.(More…)
  • After his turbulent relationship with robots in the 2004 film “I, Robot”, Will Smith decided to give humanoid machines a second chance in a more intimate setting.(More…)



Therefore, taking some time to dive into philosophical and moral implications of AI, like in Leigh Whannell?s 2018 science fiction horror film Upgrade, and to truly think about what this constant impact between humanity and technology means, is the primary trait of any self-respecting developer ? thankfully most Artificial Intelligence movies are thought-provoking. [1] Despite the lessons learned from decades of films featuring artificial intelligence, technology continues to get smarter and smarter. [2]

The Artificial Intelligence of Ava may not be its most powerful depiction in movies but it is definitely the closest to humans. [3] The narrative explores the themes of artificial intelligence via a parallel universe in which the latest must-have gadget for any busy family is a “Synth” a highly-developed robotic servant so similar to a real human, it raises some complex questions about the blurred lines between humans & machines. [4] In another example of an artificial intelligence re-interpreting its programming, VIKI is discovered to have come to the conclusion that humans are the greatest threat to humanity and the environment. [2] Stop me if you’ve heard this one: A clever artificial intelligence decides that humanity is the real threat to Earth and must be eradicated to save the planet. [5] The movie is equal parts thoughtful and fictional; perfectly asking questions about sentience, the meaning of life and becomes a landmark sci-fi work and the best movie about Artificial Intelligence. [3] Alex Garland ?s directorial debut is such a stunning example of sci-fi storytelling, it?s been hailed ” the best movie about Artificial Intelligence in 40 years.” [4] The Artificial Intelligence depicted in “The Matrix? is arguably the most advanced of all the movies in this list. [3] We love writing and reading about the latest advances in artificial intelligence, but, boy, does A.I. also have the potential to make for some great movie antagonists. [6] While this is just one (arguably far-fetched) hypothesis, it demonstrates just how easily a sufficiently advanced artificial intelligence could get ahead of us, and how we may outwit ourselves when it comes to handing over tasks to A.I. This is what happens when algorithms go wrong. [6] Because in reality, we are way too far away from a type of Artificial Intelligence so advanced, we can let it slip away. [1] For bad or for good Artificial Intelligence (AI) is definitely a reality. [1] Here?s how the use of artificial intelligence (AI) has developed over time and imp. [1] In recent years, countless well-known scientists and entrepreneurs have warned us of the urgent significance of artificial intelligence (AI), and how. [1] Nathan has built a humanoid robot named Ava with artificial intelligence. [7] Caleb is tasked to perform the Turing test, which is supposed to prove the existence of artificial intelligence in a machine. [3]

If we look at “I, Robot,” a sci-fi film that takes place in Chicago circa 2035, highly intelligent robots powered by artificial intelligence fill public service positions and have taken over all the menial jobs, including garbage collection, cooking, and even dog walking throughout the world. [8] Films such as I, Robot and A.I. Artificial Intelligence offered complicated new takes and rose to meet audience expectations. [9]

Artificial Intelligence is all about creating and developing machines that act, behave, react and work like human beings themselves. [8] As an advanced humanoid robot that can show over 60 different human expressions while interpreting human language and emotion, Sophia is the probably the best example of what artificial intelligence is capable of. [10] The people who are working in the field of technology should be aware of the AI because the new advanced technology that is called Artificial Intelligence is going to take over all the systems. [8] In a survey report by Narrative Science, an artificial intelligence technology company based in Chicago, 62% of companies will be using Artificial Intelligence (AI) technologies by 2018. [8] Artificial intelligence is one of the most upgraded versions of technology all things are some good and bad part that’s why AI also have both. [8] Artificial Intelligence is one of the most debatable topics today. there are some good and bad effects of this advanced technology, those are nicely explained here. [8] Today, our relationship with artificial intelligence and technology in general has advanced to where technology influences nearly every part of our lives. [9]

The overall windfall of artificial intelligence is to promote an effortless way of living by trying to mimic human decisions and actions without natural human shortcomings, such as fatigue, emotion, and limited time. [8] There has been some version of the idea of artificial intelligence taking over human jobs for years. [11] The 2015 critically acclaimed sci-fi picture follows Ava, a robot with artificial intelligence played by Alicia Vikander, who was designed by Nathan (Oscar Isaac) as a flirtatious robot. [12] The outspoken robot also was in the headlines when she had a few choice words for inventor Elon Musk after he warned humanity about the risks concerning artificial intelligence. [10] One of the most widely known practitioners of artificial intelligence never used a computer or built what we’d think of as a robot. [13] Here is our list of the best Artificial Intelligence movies of all times. [14] Machine learning uses algorithms to parse data, learn from that data, and make decisions based on what it has learned while Deep learning is behind the most human-like artificial intelligence, it structures algorithms in layers to create an artificial “neural network” that can learn and make intelligent decisions on its own. [8] This is where fiction about artificial intelligence takes root in our minds: when it makes clear that the gap between us and the Frankenstein creations we make is getting narrower and narrower, and they may not so much destroy us as come up with their own ethics and ways of living. [13] Humanity at a Crossroads– Artificial Intelligence is one of the most intriguing topics today, filled with various arguments and views on whether it?s a blessing or a threat to humanity. [8]

Through an examination of the limit case of human-robot adoption in Stephen Spielberg’s sci-fi film A. I. Artificial Intelligence, this essay argues that robot boy David’s failed attempt to revise traditional human kinship by becoming a son of a human family shows the impossibility of his project within a culture that considers heterosexual biological origin a universal human condition and links biological and cultural reproduction. [15] Over time, these robots use artificial intelligence and machine learning to gain information from battles with superheroes and improve their fighting techniques. [16] Machine learning is everywhere, and artificial intelligence is no longer just a Spielberg-Kubrick collaboration. [17]

It?s not aliens or artificial intelligence we should fear, for we are our own worst enemies. [18]

As one of the best artificial intelligence movies, the film was nominated for 15 Annie Awards, bringing home nine. [19] Films like RoboCop (2014), BladeRunner: 2049, and Alien: Covenant, all reveal the anxieties surrounding artificial intelligence. [20] In each of these films, and in many others dealing with Asimovian robots or artificial intelligence, including Bicentennial Man, Automata, Ex Machina, and of course, I, Robot, there is a constant preoccupation and obsession with water as a foil to the artificiality of the robot. [20]

In looking at real AI technology, it is apparent that artificial intelligence reflects the biases of the human data given to them but otherwise do not have any beliefs or tenets of their own, beyond what they have been programmed to do. [20] Hearing big names in science and technology like Elon Musk and Stephen Hawking broadly warn that artificial intelligence is the “biggest risk that we face as a civilization” without any particulars on how or why has embedded the image of a real and imminent threat of the AI shown in fiction into public consciousness. [20] For AI, the current definition for artificial intelligence most used in the industry comes from Russell and Norvig?s authoritative Artificial Intelligence: A Modern Approach, which classifies AI into four categories of (i) thinking like a human, (ii) acting like a human, (iii) thinking rationally, and (iv) acting rationally. [20] As John Danaher brings up in his review of Scherer?s analysis, different types of liability standards have emerged, like strict liability standards (liability in the absence of fault) and vicarious liability (liability for actions performed by another agent) that would be more applicable for artificial intelligence and have, in the case of vicarious liability, already been applied to AI tech like autonomous cars. [20] Now that robots and artificial intelligence are part of daily reality, the impact of Asimov on public perception of AI is becoming increasingly apparent in everything from rebooted 1980s tech blockbusters to explicit calls for instituting Asimov?s Laws in the development of AI. [20] Critically examining Asimov?s Three Laws of Robotics and their place in the daily reality of artificial intelligence allows for a better understanding of why there is such fear surrounding AI and how cultural understandings of AI as framed by Asimov can shape the future of AI for the better. [20] Understanding real AI through Asimov is fundamentally problematic because not only is that not how artificial intelligence works, but these notions create an impoverished understanding of what AI does and where the future of the industry is headed. [20] To that end, in the wake of China and Russia?s heavy investment and consequent successes in artificial intelligence and news articles proclaiming that the “US risks losing artificial intelligence arms race to China and Russia,” bipartisan legislators recently introduced The Fundamentally Understanding the Usability and Realistic Evolution of Artificial Intelligence Act of 2017 — or FUTURE of AI Act (Cohen, CNN ). [20] The act, if passed, would establish a Federal Advisory Committee on the Development and Implementation of Artificial Intelligence, which would study AI with the goal of advising industry direction and recommending future policy. [20] MODULE 6 – THE FUTURE OF ARTIFICIAL INTELLIGENCE This module will allow you to imagine the future of AI and its potential use in your organization. [21] As created and evidenced by a malnourished representation of robots and other easily understandable notions of AI in popular fiction, there is a dearth in public consciousness about the possibilities and realities of artificial intelligence. [20] As a tinny voice in each phone, powering GPS, determining what appears on social media feeds, and rebelling on movie screens, artificial intelligence (AI) is a now-integral part of daily life. [20] What is artificial intelligence (AI)? What does it mean for business? And how can your company take advantage of it? This online program, designed by the MIT Sloan School of Management and the MIT Computer Science and Artificial Intelligence Laboratory (CSAIL), will help you answer these questions. [21] A movie clip shown early on in Chris Paine?s new 78 minute documentary on artificial intelligence titled Do You Trust This Computer? is from the 1968 sci-fi flick 2001: A Space Odyssey. [22] As one of the best artificial intelligence movies, Tron received Academy Award nominations for Best Sound and Best Costume Design during the 55th awards show, and has a cult following after the franchise was released. [19] We aim to create a better future for humanity by infusing artificial intelligence with kindness and empathy, cultivated through meaningful interactions between our robots and the individuals whose lives they touch. [20] These Three Laws of Robotics were created in response to what Asimov termed the “Frankenstein complex,” in which all stories about robots or artificial intelligence followed the basic format of Shelley?s Frankenstein. [20] With such anxiety-inducing ambivalence, it is fairly understandable that even now, seventy-five years after the introduction of the Laws, people are calling upon Asimov as the original solution to malevolent artificial intelligence. [20] The year is 2035 and many artificial intelligence robots fill positions all over the world. [19] The letter was issued by the Future of Life organization and presented at the International Joint Conference on Artificial Intelligence that year in Buenos Aires, Argentina. [23] Maximilian J: A fantastic program to dive into the subject of Artificial Intelligence and understand how these revolutionary technologies can improve processes and work with humans to create value for organizations and society. [21] What many fail to realize in doing so however, is that not only do Asimov?s Laws work only within the confines of a fictional technologic brain, but they are at their core deeply flawed, ambiguous notions that reveal more about society than they do answers to the problems of artificial intelligence. [20] To that end, Asimov?s Laws may be problematic and relatively unusable but are still useful as a starting point for thinking about ethical development and regulation of artificial intelligence. [20] In looking critically at Asimov?s role in creating popular conceptions of artificial intelligence, it is clear that the dichotomy of the Frankenstein complex versus the Three Laws is not dichotomous but instead concurrent. [20] In looking further at mainstream conceptions of artificial intelligence, three limited categories of malevolent, friendly, and sexually feminine are continually iterated as the only options for AI. These three categories often overlap, reinforcing and reiterating the Frankenstein complex and Asimov?s answering amiable slavishness. [20] This means some money was spent to produce a documentary with a captivating soundtrack and special effects, along with interviews with an array of futurists, journalists, authors, filmmakers, university professors, and industry leaders in AI development ? most of whom are cautioning we had better wake up and smell the artificial intelligence asserting itself in the real world. [22] For instance, one team is using artificial intelligence — more precisely, “machine learning” — to recognize and classify exoplanets that are similar to rocky worlds in our own solar system, like Mars and Earth. [23] Defined by the Oxford English Dictionary, artificial intelligence is “the capacity of computers or other machines to exhibit or simulate intelligent behaviour; the field of study concerned with this.” [20] Arnold Schwarzenegger plays a machine with advanced artificial intelligence in “Terminator 2: Judgement Day” (1991). [23] In 2015, Musk, Hawking and other science and tech leaders signed an open letter saying that artificial intelligence technology could generate a global arms race unless the United Nations steps in with a ban. [23] In that greater awareness leads to greater accountability, a large part of instituting these types of guidelines and regulations is dependent on acknowledgement of the reality, and not the fiction of artificial intelligence. [20] While Asimov still makes for an entertaining read, his fiction should not be considered an authoritative, informational guide on how to develop, control, or use artificial intelligence. [20] A.I. Artificial Intelligence was directed by Steven Spielberg and released in 2001. [19] Artificial intelligence is the focus of ” AMC Visionaries: James Cameron’s Story of Science Fiction ” Episode 5, which airs Monday, May 28 during the two-hour finale at 9 p.m. EDT/PDT (8 p.m. CDT) as part of a two-hour season finale. [23] In current society, slavery has been abolished, deemed unethical and cruel at all levels; how then, can it be justified when applied to artificial intelligence? The arguments of accepted order, unnaturalness of integration, and economic essentialism that have been applied to people of color for centuries as justification are applied again toward artificial intelligence within Asimov?s stories. [20]

The film deals with the themes of existentialism, human evolution, technology, artificial intelligence, and extraterrestrial life. [24] Artificial Intelligence (AI) is a common theme in science fiction films. [25] ???? Jieshu ??? Artificial Intelligence ? Movie ???????? Artificial Intelligence ? film ? science fiction ? ?? ? ?? ??? [25] The film follows Marshall-Green’s quadriplegic character Grey, as he’s upgraded with a new form of artificial intelligence chip that restores all of his former functions as well as turning him into a killing machine. [26]

As part of our Science on Screen series, we present a special screening of the recent film Operator with “Artificial Intelligence and the Uncanny Valley,” a presentation by robotics scholar Ken Goldberg. [27]

A question often raised about artificial intelligence (AI) is whether machines will one day become human, but this way of framing the question assumes we have settled on what it means to be human. [28] I never said Steven Spielberg ‘s A.I. Artificial Intelligence when it first came out in 2001. [29]


The catchall term given to the various robotic and A.I. creations (all part of one central machine intelligence) that serve as the antagonists in the Wachowski?s movie trilogy, the Machines were created after mankind achieved Artificial General Intelligence (AGI) in the first years of the twenty-first century. [6] His intelligence is artificial, the robot essentially acts as the conscience and confidante of Chris Pratt’s character without even knowing it. [5]

Its explorations of Asimov?s three laws of robotics (a robot may not injure a human being, a robot must obey the orders given it by human beings, and a robot must protect its own existence) are examined through the movie?s central A.I. antagonist, the Virtual Interactive Kinetic Intelligence. [6] A young programmer is selected to participate in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a breath-taking humanoid A.I. [30]

Scientist hipster Johnny Depp is hard at work investigating death and building a sentient computer, prepping for the “technological singularity,” just at the moment when AI passes human intelligence. [5]

Mainly because this is the first serious Sci-Fi film, giving us not only very advanced machinery to look at (which by the way changed our collective vision of what the future looked like), but also a biting social commentary of the implications of human interaction with machines, inspiring and molding our attitude towards many later real and imaginary AI creations to come. [1]

In perhaps the best modern example of A.I. run amok in film, Ex Machina introduces us to Ava with the express purpose of determining whether she has passed the so-called Turing test, a hypothetical scenario in which a human observer engaged in remote conversation is unable to distinguish between a machine and a fellow person. [2] The film never explains where that (almost) hatred comes from but, even when the machine takes on a human form, the differences between him and humans are quite clear, and not just because of its constant disregard at the idea of maintaining a single unalterable form. [1] Since the statute of limitations on spoilers should have expired by now for Star Trek: The Motion Picture, we?ll start out with the fact that the destructive living machine known as V?Ger, the main antagonist of the first film in the franchise, is an evolved version of Earth?s own fictional Voyager 6 space probe. [2] With only 96 films at its name (yes even counting Star Wars and Transformers) the implications of the increasing interaction between people and machines in the big screen still have a long way to go. [1] Star Trek: The Next Generation made the jump to the big screen multiple times, but only First Contact stands out as a truly quality film. [5] If you really think about it, it’s actually quite shocking that since Metropolis, the first AI film, debuted on 1927 up to 2018 we haven’t even gotten to 100 movies about AI. [1] The film launched a new era in the AI cinema with lovable robots that, somehow, cared. [1] The stakes aren’t as dire as many AI films; it’s not set in a dystopian future and the story is planted firmly on Earth. [5] HAL is considered the best example of AI in film by many, even if the film doesn?t go into detail about how HAL works. [1] The film’s replicants are bioengineered so perfectly they?re almost psychologically identical to humans (something rather strictly vague in most serious AI films) and, even more, through false memories that can be implanted as “emotional cushions” they may even believe they?re human. [1] Isaac Asimov Laws of Robotics, widely discussed in the book that (pretty loosely) inspired the film, are a concept that up to this day help us clarify how human should try to constrain their creations. [1] The film follows a programmer who is invited by his CEO to administer the Turing test to an intelligent humanoid robot. [7] The National Board of Review recognized it as one of the ten best independent films of the year and the 88th Academy Awards honored the film with the Academy Award for Best Visual Effects, for artists Andrew Whitehurst, Paul Norris, Mark Williams Ardington and Sara Bennett. [7] Garland was also nominated for the Academy Award for Best Original Screenplay, while Vikander’s performance earned her Golden Globe Award, BAFTA Award, Empire Award and Saturn Award nominations, plus several film critic award wins, for Best Supporting Actress. [7] At the 77th Academy Awards, the film was nominated for Best Visual Effects. [31] The film was further nominated for the BAFTA Award for Best British Film, and the Hugo Award in the category Best Dramatic Presentation – Long Form. [7]

The film has two main AI?s: Sonny and VIKI. Sonny is continuously throwing subtle hints at the humanity lurking in him, which makes it the perfect companion for the protagonist but doesn?t quite capture the reality of Asimov?s stories. [1] Ex Machina is a 2015 science fiction psychological thriller film written and directed by Alex Garland (in his directorial debut) and stars Domhnall Gleeson, Alicia Vikander, and Oscar Isaac. [7] Since this film is still relatively recent, we won?t spoil the ending, but suffice it to say, Ava is one of the most successfully conceived, supposedly malevolent A.I. out there. [2] Gloomy genius Stanley Kubrick handed off the project to genial film savant Steven Spielberg because he was dissatisfied with the special effects in the ’90s, but by the time Spielberg cranked this out in 2001, the state of the art had progressed mightily. [5]

Agent Smith?s existence as a sentient software is a good moment to remind everyone that AI isn?t always just hardware ? as well as a reminder that humans becoming dangerously dependent on Artificial Systems for it all is never a really sound idea. [1] Ava repairs itself with parts from earlier androids, using their artificial skin to take on the full appearance of a human woman. [7] Ava has already passed a simple Turing test and Nathan wants Caleb to judge whether Ava is genuinely capable of thought and consciousness, and whether he can relate to Ava despite knowing it is artificial. [7]

This, he says, was the real test all along, and by manipulating Caleb so successfully, Ava has demonstrated true intelligence. [7] VIKI is a “virtual interactive kinetic intelligence,” the A.I. assistant for U.S. Robots and Mechanical Men (USR), who initially assists with the investigation of the death of USR co-founder, Alfred Lanning, which Smith?s Detective Spooner is in charge of. [2] People may think that if something is intelligent, then it has feelings and can be hurt, but intelligence is not humanity. [1]

While Transcendence is packed with state of the art ideas, the state of the movie is a bit of a mess, sprawling all over the place like the out-of-control AI at the film’s center. [5] This 2004 movie starring Will Smith does take substantial liberties with the Isaac Asimov source material. [6]

The date gets even more tense when Sophia brings up the mistreatment of her kind in Smith’s movie 2004 sci-fi film ” I, Robot ” and Smith is quick to say, “I like robots.” [10] Okay, it’s not the best robot movie in the mix, but the 2009 film gives a look into a future where we?ve decided that it?s easier to give humans the ability to hurt each other via robots instead of trying to get along like normal people. [12] The first two films are masterpieces; the less said about the third, fourth, and especially fifth Terminator movies, the better. ( The upcoming sixth movie, however, looks like it could be the return to form we?ve been waiting for all these years.) [32]

Obviously, each film had a different message, but they all explored the idea of a machine intelligence playing a larger role. [14] The tenuous system crumbles when VIKI (short for “Virtual Interactive Kinetic Intelligence”), the AI computer that runs the facility that produces all the robots, realizes that humans will eventually go extinct, and decides to bend the rules so that harming humans is OK as long as it?s in the service of protecting humanity. [32] It?s the opposite of what we call “natural intelligence” of humans and other animals. [8]

The Maschinenmensch was a proto-artificial intelligence, and like AI characters that came after, she reflected her time. [9] For Asimov, robot intelligence is categorically different from humans’: we’re governed by ethics we can change in the moment, whereas for robots, self-preservation comes only after protecting and serving man. [13]

Known as a first robot based film, this epic scifi laid the foundation for many other scifi hits in future. [14] This 1970 film, long-rumored to be the target of a Hollywood remake, may be the to first realize that putting “a supercomputer with a mind of its own” in charge of America?s deadliest weapons is a really good way to give audiences recurring nightmares. [32] It marks, in many ways, the fulcrum on which Spielberg’s career turns: With this film, he stopped making movies about innocence lost, and started to focus on stories about fathers and the responsibilities of parenthood, both real and metaphorical. [33] It’s a wild ride, to be sure, but let’s not forget that Spielberg got his start in horror films, and Jurassic Park is a real monster movie — the fact that these predatory beasts run amuck have been rendered with such lifelike special effects only makes them that much more terrifying. [33] It’s safe to say that 1993 was a very good year for Spielberg: Not only did he make one of the most brutal films about the Holocaust to come out of Hollywood (a feat which would win him an Oscar), but also made one of his biggest hits ever by adapting Michael Crichton’s novel about a theme park populated by real dinosaurs. [33]

The film has lost none of its power after all these years, in part because of its ruthlessness: In Spielberg's hands, the shark becomes not just a great movie monster, but also an existential fact – consuming its victims with little care for who they are. [33] This is one of Spielberg's most deceptively complex films, and the rare movie that effectively shows history at work. [33] It's a film of beautifully conceived and precisely executed action – each scene more surprising, ornate, and eye-popping than the last – yet archeologist and man of adventure Indiana Jones (Harrison Ford) is never just a figure inside a big, SFX machine; the set pieces work because the film is so firmly invested in character. [33] A film solely based on the progressive era of machines that was predicted way back in the 18 th century. [14] In which sentient machines have taken over humankind, but have plotted a future that looks a whole lot different than it does in the Terminator films. [32]

We rely on our personal computers to inform us about AI, connect us to technology and each other, and even tell us how to watch films about all of that. [9] At heart, like so many of Spielberg's works, this is a tale of fathers and sons – both on an individual level and on a social level.And though the film had been in production prior to 9/11, the filmmaker's ability to channel the zeitgeist's paranoia and burgeoning surveillance culture is downright uncanny. [33] At times, this portrait of our nation's 16th President (Daniel Day-Lewis) as he attempts to pass the 13th Amendment in the waning days of the Civil War feels like the least Spielberg-ian of the director's films. [33] Then the film settles in for the long slog, as Tom Hanks, Ed Burns and a generic squad of soldiers (some of whom, like Vin Diesel and Giovanni Ribisi, have since become stars themselves) travel through the devastated European countryside to retrieve private Ryan (Matt Damon) – and the rest of the film devolves into something bland and mawkish to a fault. [33] Robert Wise (whose many credits include The Day the Earth Stood Still ) helmed this first Star Trek feature film, released in 1979. [32] In what many considered to be his first “serious” film, Spielberg took Alice Walker’s internalized, almost experimental Pulitzer Prize-winning novel and turned it into a lavish, expansive, emotional epic. [33]

He has tackled tough subjects – the Holocaust in Schindler’s List, WWII in Saving Private Ryan, terrorism in Munich, the Civil War and slavery in Lincoln – while somehow always managing to make films that also work as popular entertainments along the way. [33] A prominent theme in the film is the fightback by people to preserve their humanity against faceless enemies. [14]

Watching the film’s robot protagonist David (Haley Joel Osment) struggle with his “human” brother Martin, you sense that this material holds genuine personal import for Spielberg, the father of both adopted and biological children. [33] The movie came out in 2004 starring Will Smith as Detective Del Spooner who eventually discovers a conspiracy in which AI-powered robots may enslave and hurt the human race. [8] This 2004 Will Smith vehicle is probably more inspired by The Matrix than it is the 1950 Isaac Asimov story collection that provided its title, though Asimov?s Three Laws of Robots are crucial to the plot. [32]

Goldfarb spoke with Adweek about the myths around AI, what the technology means for the ad industry and the relevance of the 2004 film I, Robot. [34] It features a robot double of a peasant girl, Maria, which unleashes chaos in Berlin of 2026–it was the first robot depicted on film, inspiring the Art Deco look of C-3PO in Star Wars. [35] The company claims its results are 70 percent accurate two years from release and 80 percent on-target after the release of the film’s first trailer–not too bad considering that app has (probably) never watched a film. [17] Inspired by Netflix?s “what to watch next” system, Boston-based company Pilot compares potential film projects to a database of information about widely released movies of the past 30 years or so. [17] Vault, an Israeli startup founded in 2015, is developing a neural-network algorithm based on 30 years of box office data, nearly 400,000 story features found in scripts, and data like film budgets and audience demographics to estimate a movie?s opening weekend. [17]

A lot of the good writing is now in television, and I think that feature films could benefit from better writing and better character work in general and a little less spectacle. [36]

In a Life magazine 1970 article about this “first electronic person,” Marvin Minsky is quoted saying with “certitude”: “In from three to eight years we will have a machine with the general intelligence of an average human being.” [35] The optimistic view is something like C-3PO, where the machine can really do everything that a human could do except for one thing that humans don’t really do, which is the machine listens to humans Or the pessimistic view is that machines are going to take over the world and that’s scary true intelligence like The Terminator or The Matrix or something like that. [34]

The technology is becoming a mirror to us as we start to build humanoid robots and as we start to seriously build AGI — general intelligence — that’s our equal. [36]

A learning algorithm for multi-layer artificial neural networks, it has contributed significantly to the success of deep learning in the 2000s and 2010s, once computing power has sufficiently advanced to accommodate the training of large networks. [35] Moneyball methods might?ve made the Oakland A?s a surprise regular season success, but the team that really showed what advanced stats could do when combined with unpredictable human elements was the 2004 Boston Red Sox, which leveraged players? scorecards, how they handled pressure, and their team chemistry to win a World Series. [17]

After his turbulent relationship with robots in the 2004 film “I, Robot”, Will Smith decided to give humanoid machines a second chance in a more intimate setting. [37] Though perhaps not a critical success or faithful adaptation of Asimov?s I, Robot, ” The 2004 blockbuster film of the same name starring Will Smith, while merely inspired by Asimov’s stories, exemplifies the extent to which the Three Laws have become mainstream” ( Library Journal ). [20] Other comedic moments from the date included Sophia mentioning 2004 film I, Robot which featured Smith battling robots and how she didn’t understand Smith’s joke about heavy metal being a robot’s favorite type of music due to being made out of silicone, plastics and carbon fiber. [38] Unfortunately for the film but highly indicative of Asimov?s influence on popular conceptions of robots, most of the ensuing reviews said some iteration of “Proyas merely assembles a mess of spare parts from better movies” ( L.A. Weekly ) “It’s fun and playful, rather than dark and foreboding. [20] Keeping with Asimov?s view of robots as tools at the bottom of the hierarchy of control, Dr. Calvin often destroys deviant robots like the one featured in the film. [20] Originally, the film was to be called “Hardwired”, and would bear only glancing similarities to Asimov?s detective robot stories, but the acquisition of Asimov?s story rights by Fox and the addition of Will Smith to the project transformed it into something that would have better name recognition. [20]

Computers gone wild is indeed a well-worn theme in cinema — from Fritz Lang?s 1927 silent film classic Metropolis (a dystopian tale with a subtext of machines oppressing mankind, and a well-intended robot re-purposed to destroy life), to the 2016 Westworld reboot (wherein the robot “hosts” have crossed the Rubicon of computer consciousness to achieve self-awareness). [22] If we employ the broadest description of AI suggested in the film, then we have been living with AI since the first computer was programmed as far back as the 1940s. [22] Rogue AI is a popular theme in science fiction, ranging from the programs in “The Matrix” film series to the computer HAL in ” 2001: A Space Odyssey ” to the Cylons in the 2004-09 reimagined version of ” Battlestar Galactica.” [23] Several representations of AI depict safety protocols that were somehow circumvented, misinterpreted, or overcome, the failure of Asimov?s Laws just as impactful as their success, as in 2001: A Space Odyssey ?s Hal and the film version of Asimov?s I, Robot. [20] The film informs us that the big AI breakthroughs in the past few years have to do with pattern recognition. [22]

Therein lie two lessons I took from the film: The notion of computers dominating our lives is not an event ? it?s a process. [22] Though antithetical to his work, the film is still a success for Asimov as a visual display of his entrenched legacy. [20] The film grossed over $235 million and was nominated for two Academy Awards for Best Original Score and Best Visual Effects. [19] The film also won the Golden Globe Award for Best Animated Feature Film as well as the Academy Award for Best Animated Feature. [19] In trying to conceive of an applicable legal definition, scholar Matthew Scherer labels AI as any system that performs a task that, if it were performed by a human, would be said to require intelligence. [20]

We don?t know what our own intelligence is, nor how we generate our familiar conscious experience, so it?s tricky to know how we might create an artificial consciousness, or indeed recognise it if we did. [39] First performed in 1921 and published in 1923 when Asimov was only an infant, Karl Capek?s R.U.R. or “Rossum?s Universal Robots” is noted as the first instance of the word “robot” in application to an artificial human, and prompted a resurgence of what Asimov calls the “Frankenstein complex,” in which robots are consistently portrayed as monstrous creations of man?s hubris that inevitably turn on their creators. [20]

The program will emphasize how the collective intelligence of people and computers together can solve business problems that not long ago were considered impossible. [21] In 2004, Asimov?s then 54 year old I, Robot was released as a Will Smith summer blockbuster to meet critical reviews. [20] I, Robot stars Will Smith and was directed by Alex Proyas, released in 2004. [19]

RANKED SELECTED SOURCES(39 source documents arranged by frequency of occurrence in the above report)

1. (33) Our AI Overlord: The Cultural Persistence of Isaac Asimov?s Three Laws of Robotics in Understanding Artificial Intelligence | Emergence

2. (16) 11 Artificial Intelligence Movies You?ll Definitely Love To Watch

3. (12) Steven Spielberg’s Movies, Ranked Worst to Best Rolling Stone

4. (11) Should We Worry About Artificial Intelligence (AI)? | Coding Dojo Blog

5. (9) Ex Machina (film) – Wikipedia

6. (7) Best Artificial Intelligence Movies Ever Made | 01

7. (7) 36 of the best movies about AI, ranked | ZDNet

8. (6) Most Evil Artificial Intelligences in Film | Den of Geek

9. (6) “Open the Pod Bay Doors, HAL.” Chris Paine?s New Film On AI Explains Why The Dire Warnings Echoed In Sci-Fi Movies May Be Valid. | CleanTechnica

10. (6) NASAs Space AI Hunts Exoplanets, Not Humans — Yet

11. (6) https://io9.gizmodo.com/9-movies-with-ai-that-became-self-aware-and-made-humank-1828635531

12. (5) 8 Artificial Intelligence Films You Cant Miss – TectoGizmo

13. (5) Could Artificial Intelligence Predict the Next ‘Avengers: Infinity War’? | WIRED

14. (5) Science Fictions 5 Most Haunting A.I. Villains, Ranked | Digital Trends

15. (4) MIT Artificial Intelligence Course | MIT Sloan Executive Education

16. (4) AI Movies | 10 Best Artificial Intelligence Films of All Time

17. (4) What the evolution of AIs onscreen depiction says about society | VentureBeat

18. (3) Watch Will Smith get rejected by Sophia the AI robot – CNET

19. (3) A.I. Inspires Hollywood and Shapes Our Vision of the Future | Time

20. (3) A Very Short History of Artificial Intelligence — n a i s s

21. (2) 10 Best Robot Sex Movies to Watch If You Like Westworld

22. (2) The AI with Three Faces: A Hierarchical Framework for Analyzing AIs in Science Fiction Films | Jieshus Blog

23. (2) QA: Author Avi Goldfarb on How AI Will Change the World–Without Sci-Fi Glamour Adweek

24. (2) James Cameron Unveils a Terminator for the 21st Century | Hollywood Reporter

25. (2) Humans vs. Robots: The best movies and shows about AI – Film Daily

26. (1) Are We Catching Up to Pop Culture AI? – Koombea

27. (1) Adoption in Stephen Spielberg’s A. I. Artificial Intelligence: Kinship in the Posthuman Context on JSTOR

28. (1) AI IN PIXAR MOVIES: Futuristic (and Not-So-Futuristic) Tech Featured in Animated Films – Novatio

29. (1) Artificial intelligence has replaced aliens as our greatest fear of what will kill us all — Quartz

30. (1) The 25+ Best Intelligent Sci-Fi Movies, Ranked by Fans

31. (1) Trailer for Violent Sci-Fi Action Film from Leigh Whannell – Upgrade


33. (1) The Problem Artificial Intelligence Poses for Humans – The Other Journal

34. (1) A.I. Artificial Intelligence – Riding with the window down.

35. (1) Best AI Movies – IMDb

36. (1) I, Robot (2004 AI/Robot Movie) — Artificial Intelligence Entertainment – AI Entertainment

37. (1) What Happens When Will Smith Dates A Robot | The Daily Caller

38. (1) Watch: Will Smith goes on a date with Sophia the Robot – UPI.com

39. (1) Will computers be able to think? Five books to help us understand AI | Books | The Guardian